The plot of The Binding Vine is intricate. It has three strands running parallel. These are the stories of three women, different in age and time: Kalpana, who is comatose; Mira, who is dead; and Urmi, who discovers life’s meaning through the stories of Kalpana and Mira. Shashi Deshpande comments on these stories that, “the biggest problem was weaving them together, bringing out what is common to all the three”. For a reader, the problem comes while encoding the plot.
The plot of The Binding Vine does not
follow the traditional pattern of unity of time and action. Since it is a
stream of consciousness novel the action moves back and forth with the past and
the present overlapping. It is set in the India of the 1980s. Urmi, Vanaa,
Harish, Kishore, Inni, Dr. Bhaskar are all members of the Indian urban middle
class, while Shakutai and her family are from the lower class. Mira, Baiajji
and others belong to the time past. In order to bring them close to us the
author uses memory. The time-shift is managed through the interweaving of the
subplots. The two subplots—one of Mira and the other of Kalpana are intricately
woven with the main plot of Urmi. Urmi and Mira are related but they are
separated by death. Urmi and Kalpana are strangers but they are united by human
concerns. In the case of Mira-Urmi, Mira’s writings provide the bridge; in the
Kalpana-Urmi relations, Shakutai becomes the link. Although the plot does not
have a traditional beginning, middle and an end, the overall effect is of a unified
whole. The opening is grim, the to and fro movement of the middle is sometimes
happy, sometimes sad, but the end is optimistic.
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