The game of Mah-Jong can be read symbolically. It is similar to the
murder mystery where players are suspects in the murder game who try to hide
their cards. As in the card-game, all the concealments in the murder mystery
eventually come to light. This analogy/parallel between the game and the murder
mystery also gives an insight into Sheppard’s mind by the very way he plays the
game. Sheppard remains quiet throughout the game/narrative and reveals nothing
of his own thoughts while faithfully shedding light on everyone else. As the
players gossip to entertain and outwit one another, Sheppard deftly hides his
hand all along and cleverly practices the art of concealment. He gives no
inkling before he lays out all the tiles to surprise everyone as the winner
with a ‘perfect hand’. Sheppard’s way of playing is similar to the way he
constructs his narrative. It shows us a reflection of his psyche where he
conceals the truth simply by omitting its mention, by being reticent and
keeping himself in the background to stay unnoticed. He keeps his cards close
to his chest and secrecy is his characteristic trait. Much like the game he
plays cleverly and secretly, he quietly goes about hiding his blackmailing
business or his visit to the Three Boars. His writing and game playing styles
are similar. What comes to the fore is Sheppard’s hubris to gloat over his
achievements and a desire to outfox everyone. Having won the game and believing
he “played rather cleverly”, he impulsively ends up sharing the discovery of
the ring from the pond and regrets his act immediately since he wanted to
conceal it. His game playing and narrative are all about withholding the whole
truth. We shall look at the social milieu next as a convention of detective
fiction was that the criminal had to belong to the same social class.
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